Cancer Bats

Cancer Bats have been a musical force of nature since its inception eleven years ago. With each new album, the band pushes the limits of its sound and and the members evolve as musicians. Now that their fifth studio album, "Searching For Zero", is being released, we sat down with the guys to discuss the making of the new record, working with Ross Robinson and their tour with While She Sleeps.

 

  1. Hey guys! Thanks for talking with me, are you looking forward to your upcoming tour with While she Sleeps?

We're so pumped for this Sleeps tour, it’s going to be the best ! 

 

  1. How would you describe Cancer Bats show to someone that’s not seen you guys before?

For someone who's never seen us before I would say our band is a giant ball of Canadian hair and beards just spitting and yelling and making all types of noise…., in a good way. 

 

  1. A few years ago you did the pentagram tour performing six times in one day all over London, any chance of a repeat performance on the next tour cycle or was once enough?

We had a blast doing the Pentagram rip for DSOL but I 't think we'll ever do that again. Everything worked out so perfectly that day I wouldn't want to try and attempt it again, I feel like we'd curse it. [laughs]

 

  1. How did the title of the new record come about and does “Searching for Zero” have any special meaning?

“Searching For Zero” is the idea of us finding a new common ground to move forward. After 10 years as a band this is our new starting point to move forward. We've dealt with everything and now moving forward, everything is positive for us. Good vibes only! 

 

  1. What made you decide to work with Ross Robinson as a producer on the record?

Ross’ name was presented to us and we looked back at all of his past work and it just made sense. Also speaking with him and realising he's the most stoked dude ever, it was just a match made in heaven. 

 

  1. Do you have any plans to play European festivals this year?

We've got some festivals lined up for this year, but we're hoping to come back next year and really crush anyone we miss out on this Summer. There's just too many amazing places we all want to go! 

 

  1. The new songs (“True Zero” and “Satellites”) sound more doomy than most of your previous recordings. Was this deliberate and what music were you listening to during the writing process?

I think this has just become a natural progression of the band. We all love stoner rock and doom and sludge so I'm sure all of that creeps into what we're writing. We all were listening to a lot of Black Angels, Witch, Graveyard, Neurosis, Church Of Misery, Nebula, Kyuss, Fu Manchu and tons of stuff like that. Just getting stoked on great records ! 

 

  1. How do you try to capture the energy of your live shows on record?

That's Ross’ specialty of channeling those vibes and I think it really takes someone who has been working with so many aggressive bands for so long to really understand all the little tricks that it takes to capture that raw live sound. He is truly the king of the vibe. 

 

  1. Most critics are in agreement on the high quality of your previous albums, do you feel any pressure to make an album that lives up to expectations?

We put a lot of pressure on ourselves to really outdo the last albums and to create something different. With DSOL I feel like it was us really nailing a lot of ideas we'd been working on since we started the band, so from there it was really important for us to move things forward and build from there and to not just write DSOL part 2. 

 

  1. Are there any songs on the record that will surprise longtime fans?

I think there are a lot of surprises, but for longtime fans, I think they'll be really stoked to hear some fresh new ideas coming from the same sound and four dudes they've been hanging out with for the last 10 years.

 

  1. Thanks again for taking the time to talk to me, do you have any final words for your fans?

Thanks so much for doing the interview and I can't wait for everyone to hear the new album and to come party with us in April! 

– David Gilmore

Western Addiction

On the day that Amsterdam experienced a blackout, Western Addiction was in town on its first European tour. Luckily that power shortage was swiftly solved so the show could go on. RMP Magazine took some time to sit down with Jason Hall, the vocalist and guitar player of Western Addiction. In between the sound check and the show we checked if a second blackout was to be expected tonight, one caused by the hardcore madness of Western Addiction. Find out below about Jason's experiences in the Old Continent of Europe and their newest EP “I’m Not The Man I Thought I'd Be”.

 

  1. Hello Jason, this is the first European tour for Western Addiction and also your first visit to Europe. How has it been so far?

I love it! All the other guys have been before, so they've known what to expect a little bit. So far I loved every country. We went to Spain, went to France, I loved France, then the UK and now here.

 

  1. Have you noticed the cultural differences between those countries?

Mostly for the good, things make sense here. Getting around on the public transportation makes sense. The size of the food makes sense. They give you just enough to eat and to be full. That makes total sense to me. It's not like a big giant burrito or something. So far everybody has been wonderful.

 

  1. And Amsterdam?

I looked a little bit and it's so beautiful. It's as beautiful as some of the small towns in France we went to. Not small but relatively small like Lyon, Cognac and Toulouse. Toulouse was pretty wonderful, but this one is like a postcard everywhere you look. I love it. 

 

  1. Lagwagon asked you to play this tour with the support of The Flatliners. How psyched were you for this tour?

Really excited actually, I've known Joey for quite a long time and I've known The Flatliners guys. I used to work at the record label that we're on, so right when I was leaving, they got signed. They're wonderful dudes and Joey is wonderful too. He wanted to do a tour with all of his friends. It's so great, I have a fulltime job and I don't get to tour all the time. So this is like a dream for me. I'm loving it.

 

  1. “I’m Not The Man I Thought I'd Be” is the band’s newest EP that was recently released. Have you played any songs live yet and how was the response?

We've played that song, the title track song. And we played this other song called “Clatter And Hiss”, it's a demo on there. Pretty good. I think we're kind of the odd band on the bill. People are looking at us and they're kind of confused; interested, but confused. I'm screaming at them the whole time and Lagwagon and Flatliners are so fun and happy. I think they're going “What am I seeing?!”. That first song “I'm Not The Man…” is like a rock song, so people’s bodies automaticly kind of move with rock. It's really like AC/DC style rock, that's like our only song like that. You can kind of see people moving and react to music but they're still kind of confused of what we're doing.

 

  1. The new track “Clatter and Hiss” is the first track where bass player Tony contributed during recording. How does a new member affect the group and the recording?

Each new member brings something different. I love having Tony in the band, he's really positive. He's a great guitar player, he plays bass in our band. But he's an awesome guitar player, he's an awesome singer. I can't really sing, I can  do a little bit, but I have in my mind what I want a song to do. When I can't do it physically, he can do it. So I'm like “Hey Tony, there's a part that needs to be sung” and then he can really do it. He's been in other bands like Cobra Skulls. He has been around the world so he's like a veteran. I'd rather have good, cool friends in the band and I'm so glad he's playing with us.

 

  1. When recording the new EP it was recorded to 2” tape in the studio. In this era of digital technology being the standard, what do you believe to be the benefits of tape?

Chad, our drummer, he's really into that. He likes the sound that the drums make with it. I'm not really that great at that stuff. But Chad is really good about this; he recorded our demo that went on our record. He has got an ear for that. He has a really huge knowledge about when things were recorded, history of music. He really knows a lot of punk, hardcore and metal. And that's the sound he likes, he kind of helps us out with that kind of stuff.

 

  1. The title track of the EP “I’m Not The Man I Thought I'd Be” has a rather pessimistic feel to it. Can you let us in on what message you were trying to get across?

Every song isn't necessarily super true, but my wife read the lyrics to that. And then my mom was at our house and she picked up my lyrics book and was reading it. She was like “I don't know about that song, I'm worried about you”. First of all I was like “You put that down, why are you reading that?!” [laughs]. It's a little pessimistic. You think about how life should go, how things should turn out. They don't ever, they never turn out the way you thought they would. I mean it is pessimistic, but I don't know, sometimes I'm filled with anxiety and that was just one song about how things go. I never thought I would be playing in a hardcore band and touring Europe at this time of my life. That's kind of a good thing that I wouldn't have anticipated. There are good things and bad things; that one is about the bad things. Everybody always feels those things and a lot of our lyrics are really cryptic and you can't really connect with them. I have some friends in bands and they make good lyrics that really connect with people. I think Against Me! does a really good job at connecting with people but their lyrics are understandable. I'm trying to do that a little bit more versus all those crazy words and things that no one can relate too. I think people may be able to relate to that song by thinking about how your life is going to be and it just doesn't happen and you feel disappointed in a way. Maybe the comfort is that I can feel the same way you feel and things will be okay.

 

  1. You mentioned you worked at Fat Wreck Chords in the past. How has this influenced the band? 

Definitely connections. I mean, I have all these great friends from long ago so you just know lots of band people and it does help. We would never be on all of this if it wasn't for Joey. I'm not going to hide any of that. He's a great friend and he asked us to play and we're thankful. And Chad works at the label now. There's this cool thing that has been happening at Fat Wreck Chords, people splintered off a bit and went their separate ways. And now we're a little bit older and getting back together like a family in a way. I'm seeing all these people and the person that runs our label Erin, she's awesome. She was my boss basically for years and now it's like old friends coming together. She's really supportive, she even texted us on this tour. It does feel like a family in an odd way. We're kind of a different band for Fat, but I don't care. I've seen all the other labels, I’ve seen bands not get paid. Fat always pays bands. They always treat them right, they give them whatever they need. Even it hurts the label a bit. That's pretty cool.

 

 

  1. I love the way they work with one record deals.

Yeah, because they're not trying to lock anybody in there. There are no tricks. Even if you don't make money from royalties you always get a statement. It's not like labels like Lookout records who were in the past accused of not paying people. Fat always pays even if you don't like them or make fun of the bands. They always pay.

 

  1. After the start of Western Addiction and the first release in 2006, “Cognicide”, you all went on a hiatus, due to the usual routine of kids, work, life or other interests. How does it feel to be playing and recording again?

It feels kind of nice. The break was my fault. Because I have a family and my little daughter was young and I didn't want to be away or gone too much. She's a little bit older now and I'm able to get away and I also have a job. Leaving the label I came to respect music so much more and like music more. I always liked it. Even when I talk to the guys of the label they don't always know exactly what's going on because they're in it all day. I love music. I listen to it all the time, I look forwarding seeing it on TV. I got a bit older where I'm not complaining about music as much. So if you're watching a big television show like the Grammy's or the Superbowl. What's this band doing? These guys suck. I don't think like that anymore. I'm just so thankful, check it out, there's rock 'n’ roll on TV. I'm more appreciative, I lightened up a little bit.

 

  1. Jason, you also keep a tour diary published on New Noise. For instance, you visited the Guggenheim museum in Bilboa.  In the blog you mentioned Niki de Saint Phalle and her sculptures, what attracts you to her work?

Yeah, I have to do that. I turned in the other one Wednesday. They had a video of her speaking about her work. It was so powerful. I life with all ladies: I live with two daughters and a wife and they are all strong, powerful women. She was a really strong, powerful woman and what she was saying was really interesting. She was basically saying “Only men can make destructive things, so only women can make beautiful art out of these things.” She had this giant skull and this golden bat with the machineguns. Also when you’re looking at some people's art you can see them falling apart or their madness. You can see their madness in what's happening. The whole thing, I think she was an incredible woman.

 

  1. You also seem to be fascinated by black metal like the Gaudi sculptures you described on the tour blog as ‘black metal’. What do you like in it and what bands can you recommend?

That's only recent. I like all the classics. I'm really new to listening to it. I only recently started listening to it. Like all the classics as Bathory and Burzum, the ones you're supposed to listen to. There's something so fascinating about that lifestyle to where you paint your face, you only do certain things and you run into the forest. I guess there's more to it. I don't know. I get into genres of music and I go in and out of things.  For a while I was into Sam Cooke a lot, a while I was into The Pixies. Now I'm into black metal. For some reason I don't know why, it's so fascinating. There's this band from San Francisco, they're called Mastery. They have a black metal record and the cover looks different than any black metal cover. It's not the undecipherable writing, really cool, just like primary colours. I listen to that and like this music, it’s maddening. It makes me feel nervous and anxious and wonder “Why am I listening to this?”. In a bizarre twist of faith I met the guy who made the record at the record store. I referred his record to him. I'm in the black metal section and I go “Have you check this band out?”. He said “Yeah, I made it.” And I was like “Get the hell out of here!” I think it's interesting. It's like another world, like in a play. It seems crazy. Just seems so fascinating. Have you seen that documentary about the Norwegian scene “Untill The Light Takes Us” or something. The whole thing is like a fascinating chapter in history. It wasn't really about being satanic. It was about people coming into their country and appropriating their things. You always think it's all about the devil. 

 

  1. So in 2013 the three-song EP “Pines” was released and this year the new EP. Any plans for a full album soon?

We have a lot of new songs. We were going to make a new record but we got offered this. I’ve never been here, so I was like “We're doing that.” But we have tons of new songs. When we play in Germany in a few days we will play more because we have a thirty-minute set. We will play one new one tonight that is not on any album. I pretty much used up all my vacation from work so I don't know when we are going to record. Maybe on Christmas day or something.

 

  1. What is the ambition of Western Addiction next to world domination?

I want to do one more record. I'd like to. The songs we have now are really interesting. I like the line-up, it feels really positive and fun. I have to share the members with other bands. Those guys will be doing their thing. I've been here now, we've been to Japan. Of course I'd like to go to other countries, I feel kind of spoiled. This is great.  At least I got to come here and see some of the best countries of Europe. I'm pretty good actually.

 

  1. Any last words for our readers?

Just thanks so much and maybe check out our new EP, it's on Fat. We'll have a new record out soon!

– David Marote

Don blake & Andrew Cream

Andrew Cream and Don Blake recently embarked on their first joint European tour, also known as the ACDB tour. Hailing from the UK, both bands loaded up the van and crossed the channel to play some select European places of the continental persuasion. We at RMP Magazine welcomed them at their last show of the tour in Belgium for a small chat on the tour, the new Don Blake record “Pocket Universe” and how Andrew Cream is now a full band thanks to Don Blake.

 

  1. Welcome to Belgium, can you please introduce yourselves?

Nige : I'm Nige, I play drums.

Joe: I'm Joe, guitar for Don Blake

Kieron: I'm Kieron, I play bass in Don Blake and Andrew Cream.

Rob: I play guitar in Don Blake

Andrew: I'm Andrew and I play guitar as Andrew Cream

 

  1. So this is the first European tour for Don Blake and you're joined by Euro-veteran Andrew Cream. How has it been?

Joe: It's been really cool. We've been in a few different countries in a short period of time. It's been cool to play lots of different kinds of show in such a short period. When we get to a venue you never quite know how the show will go down. Some shows you thought were going to be okay turn out amazing and then other show that might be amazing turn out to just be okay.

 

  1. You've played France, Germany, Switzerland, Italy and many other countries. Have you noticed any cultural differences?

Rob: We ate more pasta when we were in Italy.

Andrew: There's a trend amongst every time I've been to Europe about how well the hospitality and how we get treated is ten times better than in the UK. We get fed so well, we always get a good place to sleep. That is a trend that runs through every country that we played.

Rob: I think that's been the main difference. Playing new places is cool anyway but the main difference has been the hospitality and everyone who helped us out on these shows.

 

  1. Andrew, Don Blake plays a pop punk sound, your work is more folk punk. How does the crowd react to the different styles?

Andrew: I think a lot of the time people that are into punk music will listen to anything from acoustic singer-songwriter to punk up until hardcore. A lot of the crowds just enjoyed that punky sound. I think some of the gigs had people that were more inclined, like in Italy they have quite a big pop punk scene so Don Blake went down really well on those shows. As on some of the other gigs we played with some more acoustic folk punk artists in Germany. People are more inclined to like that sound. But then both sides appreciated each other.

Rob: I think with the two bands, there is a difference but it's not a world apart.

Andrew: A lot of my songs are just pop punk with an acoustic guitar to it.

 

  1. Today you’ve played in Belgium which is the final show of the tour, but you’ve got big plans ahead: you're playing with Masked Intruder in the UK soon. Are you psyched about playing with them?

Nige: We played with them on a big festival at Manchester. There were ten bands on at the time and we were the first one on. We also played with The Murderburgers, they're friends of ours.

 

  1. Congratulations with the new Don Blake album “Pocket Universe”. It has already been released a month ago. How has the response been so far?

Rob: It's been pretty good. There's a lot more focus in writing an album for the first time. On the whole, people take it well and seem to like it.

 

  1. “Pocket Universe” was released on Round Dog Records which is run by Fraser of The Murderburgers. How did this come by?

Kieron: We put on gigs in Manchester ever too often and met Fraser and The Murderburgers through that. We went on tour with them. He mentioned he had a distro but then turned into a record label.

Rob: We pretty much asked him to be on.

Andrew: I heard it involved a gun.

 

  1. There might be a vinyl release this summer, any updates on that front?

Joe: That's partially to be done by Round Dog Records and the US release is being done by Bloated Kat. We're looking forward to getting the record out but part of me is just so excited to be associated with the other bands on the label like The Kimberly Steaks and so on.

 

  1. Last year Andrew Cream and Don Blake released a split EP together, now the split tour and Nige and Kieron play as Andrew's full band on the tour. What's the attraction between both bands?

Kieron: I really struggle to understand…

Nige: Andrew doubles up as a tour manager/tour organiser so you know…

Andrew: I've known these guys for like coming up to ten years. Rob and Joe especially and I met Keiron and Nige like two years later. I don't really know where the conversation started but I wanted to start playing my songs with a band and Nige and Keiron seemed to be the obvious people to ask. And they were more than happy to do it. Deciding to do the split seemed quite natural. I really wanted to do a European tour with a full band and the only I'm getting to do it with a full band is getting them along. It's been really fun.

Joe: Andrew has always been active playing shows and we've been in bands before Don Blake where we weren't doing anything. In Don Blake we've been all more active.

 

  1. Andrew, both you and Don Blake both played The Fest 13 this year. How was that experience? And are there any plans on returning soon?

Joe: It's been amazing. This tour is really great. That and The Fest show, that's been the highlight of us being in the band. I'd love to go back and play. I'm going to go next time. I don't know the rest of the band can do it this year.

Rob: It was really cool and an awesome experience. In a way it's been a learning curve in terms of knowing what to do. Most of the foreign bands go without taking any of the gear with them. It's a learning experience. Next time we will be more prepared. Still, it was an amazing experience.

 

  1. Andrew, you're from Leeds and Don Blake is based around Manchester, how is the scene over there in the UK?

Kieron: I think in Manchester it’s very varied. We've got a lot of promoters like Under The Bridge who put on more acoustic punk stuff. They're getting big bands now like The Flatliners. He's putting up The Masked Intruder show.

Andrew: I find Leeds a little bit more of a hit and miss than Manchester. Sometimes we can have really great turnouts and other days not so good. Manchester feels more of a community. I think Leeds has the potential to become a community. It had a really great community about five or ten years ago but all those people are getting older. There's not really young blood coming in, it's about creating something new again. I've only lived there for 18 months and I want to try and help that happen.

Rob: We're not in the band for that long, just since 2012 so we're quite lucky getting to play in the Manchester scene in a time with shows like Masked Intruder. We also played with Chumped some time ago.

 

  1. So what's next with Don Blake and Andrew Cream? New joint ventures or releases planned?

Rob: We've got a new album and we want to put on shows in the UK this year and promote that.

Joe: We got a new record that we worked pretty hard on to get so now it's about getting it out there.

 

  1. Any last words for our readers?

Andrew: This tour has been fantastic. It's been really great for me to be able to play my songs with a band. I feel like every place that we played we took some positives from every gig. It was really great fun.

Rob: It's our first European tour. The hospitality’s been amazing. Just as the shows themselves. Having people listen to us, like last night when we played in France, it's so cool to play a new place. We saw some crowd surfing and human pyramids. It's been great fun.

– David Marote

When Cities Sleep – What Lies Lay Between Us

When Cities Sleep is a rather new band from Waldorf, Maryland, but they are becoming more and more popular quickly. They name I See Stars as a big influence and that statement is crystal clear: they are trying to combine the whole electro sound with the metal sound and screams. The voice of singer Mike Garrow can go really deep, as well as really well-balanced with the clean vocals. “What Lies Lay Between Us” is their new record and it seems like a nice entry. The harder parts are balanced with the easy-going vocals. Mix those two together with electro sound and some nice breakdowns and you get “What Lies Lay Between Us”. The lyrics overall are seemingly dark, filled with talk about betrayal and such. When Cities Sleep seem to want to bring a message to their listeners. Maybe that’s also why they’ll ask with every live show: “Will you, fight for your dreams?”.

– Nicky Boes

Raised Fist – From The North

Sweden has roots in big music genres and one of the first bands setting foot on hardcore grounds is Raised Fist. In 1993 Luleå witnessed the birth of Raised Fist through the song “Know Your Enemy” from Rage Against The Machine. “From The North” is their sixth album which will be released six years after the previous one “Veil Of Ignorance”. They said “We’re from the North, and we do shit differently. We do it hard, whether it’s on stage or in the studio.” The sound proves what they’re saying. “From The North” is hard and heavy combined with the husky voice of singer Alle Hagman. The sound’s original if you compare it with other hardcore bands, and that’s why you have to listen to it. If you liked their previous albums, you will like “From The North” as well. They keep true to their style, but it became heavier.

– Nicky Boes

Death Penalty – Death Penalty

Criminally under-rated guitarist of doom pioneer’s Cathedral, Gaz Jennings has finally released his first album since Cathedral called it a day in 2013. This project, the aptly named Death Penalty is completed by Michelle Nocon and Fredrik "Cozy" Cosemans, members of Belgian doom warriors Serpent Cult and bassist Raf Meukens. This formidable line-up plays extremely well together on a record that harks back to a time when the occult and heavy metal went hand in hand and sounds like it could easily have been recorded circa 1970. Channelling the powers of early Sabbath and Witchfinder General, Death Penalty is a doomy, occult rock tour de force. Nocon’s vocal performance is fantastic throughout and really complements the stellar guitar work of Jennings, particularly on tracks “Children of the Night” and “She is a Witch”.

Whilst Death Penalty will undoubtedly draw comparisons to the guitarists ‘other’ work the album is much more than Cathedral part two and I can’t wait to hear what Death Penalty has to offer. 

– David Gilmore

Hybrid Sheep – Free From The Clutches Of The Gods

France has a lot of great bands, Gojira for example, or Betraying The Martyrs. Since 2008 there is also Hybrid Sheep. Originating from Haute Savoie in France, they produce raw and brutal, yet melodic deathcore. Since 2008 they released an EP, but no full-length album, it took them until 2014 to produce their first full-length album. With “Free From The Clutches Of Gods” they want to launch themselves into popularity. If you like The Black Dahlia Murder, you can enjoy Hybrid Sheep as well. The sound is rather melodic, but it’s very diverse within the whole album. Every song has its unique sound but it still feels like one whole, complete album. All in all, there isn’t anything that stands out for Hybrid Sheep, but it’s a firm and solid album and it will be able to attract new fans.

– Nicky Boes

Forever Came Calling – What Matters Most

Pop punk four-piece band Forever Came Calling is back with their brand new album “What Matters Most”. “August Is Home” opens the album, and what a track to feature at the beginning. The track explodes in your ears whilst the guitars and complimenting drums are going wild to the beat.  The lyrics are intense and meaningful.

Every pop punk album has to have a slow song: “Endangered Innocence” is that song you have to play over and over again. It is beyond catchy and will stay in your head all day long. Joe Candelaria’s voice is rough throughout, giving the song its full effect.

The album is full of energy, and you’ll want to listen to it over and over again. Forever Came Calling isn’t your average pop punk band and this album proves it.

– Holly Reijs

People On Vacation – The Chronicles Of Tim Powers

People On Vacation is a band founded in Dallas, Texas. They are born from the hand of Jared Riddick from Bowling For Soup and Ryan Hamilton from Smile Smile’s. The sound of People On Vacation is really unique. They sound fresh, young and uplifting. They use the label ‘indie/pop rock’, but there is a lot more to People On Vacation. There is some pop punk and maybe even some country. That’s what you get if you’re from Texas maybe?  Their newest album is called “The Chronicles Of Tim Powers” and some songs really show that country feeling. “You may not believe in God” is a fresh song that shows the roots of the band from Texas. The album sounds really uplifting and with a positive vibe, but the lyrics aren’t always that happy. Sometimes it’s filled with melancholy and the feeling of losing something. “The Chronicles Of Tim Power” is simply a surprising and easy-going album.

– Nicky Boes

Glamour Of The Kill – After Hours

Glamour Of The Kill is born in York, UK. The metal band is already in the scene for about seven years now. They started more as a metalcore band with heavy and fast tracks. Starting from their last album “Savages”, they grew to a more clean metal genre. The growls and screams were set aside for clean vocals, with a sharp raw edge. With only five songs this EP is rather short but the sound is very different and it’s something more easy-going than for example their record “The Summoning”. Especially “Blood Drunk”, the last track can remind you of their older songs. Glamour Of The Kill has lots of friends in bands from touring throughout the years and that result is seen on “After Hours”. There are guest vocals from Craig Mabbitt from Escape The Fate and also Jacoby Shaddix from Papa Roach. Those voices fit well into the tracks of this ‘easy to listen’ EP.

– Nicky Boes